Creating Art Is Such a Joy — The Watercolor Art of Meredith Dedman

Dancing Coneflowers, original watercolor by Wenaha Gallery guest artist, Meredith Dedman
Dancing Coneflowers, original watercolor by Wenaha Gallery guest artist, Meredith Dedman

So often, it is the small, inconsequential things that make lasting effects on our lives. For watercolor painter Meredith Dedman, her feet were instrumental in choosing the medium of her art.

Hibiscus Blossom, original watercolor painting by Wenaha Gallery guest artist, Meredith Dedman
Hibiscus Blossom, original watercolor painting by Wenaha Gallery guest artist, Meredith Dedman

“About 15 years ago, I decided to learn more about art and began taking regular classes,” the Dayton painter remembers. “These classes happened in the evening, after work, and rather than painting with the oils that I had dabbled with a few years back, I chose watercolor.

“Watercolorists sat down to paint, and I was too tired from working all day to think about standing for two hours at an easel.

“Turned out to be a good decision regardless of how silly the reasons were.”

In pursuit of mastery, Dedman took one to two evening classes in the Florida area for 10 years, haunted the local watercolor society, built up a library of how-to and fine art books, and attended workshops by nationally acclaimed artists like Sue Archer, Ann Pember, Tom Jones, Pat Weaver, Diane Maxey, and Karlyn Holman. By the time she moved to the Pacific Northwest 10 years ago, she was confident enough to instruct others, and takes in local students at her studio, a “happy space” with triple French doors, east facing windows, and a generous amount of cupboards to store supplies.

Tangles, by Meredith Dedman
Tangles, by Meredith Dedman

Dedman is generous about passing on what she has learned and is still learning, and one of her major messages is that of encouragement.

“Since I have been using watercolor almost exclusively for the past few years I can tell you that watercolor is not as unforgiving as most people think,” Dedman says. For little “mistakes,” gently scrubbing with a damp dry brush often does the trick, but some techniques are more forceful:

“I have seen people take a garden hose and wash most of the paint off the paper.” Not inside the studio, by the way.

Peacock, mixed media original painting by Wenaha Gallery guest artist Meredith Dedman
Peacock, mixed media original painting by Wenaha Gallery guest artist Meredith Dedman

While watercolor is and remains a true love, Dedman is continually exploring, and the last few years has forayed into acrylic, colored pencil, and pastel, in this latter endeavor seeking out the expertise of former Walla Walla artist, Bonnie Griffith. When it comes to subject matter, Dedman embraces it all, as enthusiastic about still life as she is landscapes, ready to tackle animals immediately after focusing on houses, or florals, or collage.

“Creating art is such a joy,” she says. “To have an idea, devise a plan, attack a piece of paper or canvas with brush and paint — then you watch magic happen as the paint colors mingle and begin to tell the story you imagined.”

Ideas for the next painting join a mental queue while she is working on the current one, and as the co-founder, with Vivian McCauley, of the area’s Blue Mountain Artists’ Guild, Dedman produces a work each month in line with the group’s theme — a color (red, say, for Valentine’s Day), concept (patriotism, for July 4), or material object (vintage cars, celebrated during Dayton’s All Wheels Weekend). Lately, influenced by workshops given by Karlyn Holman, an internationally recognized artist, instructor, and author, Dedman has been incorporating textured papers, pencil, and crayon into multi-media creations.

Heart of the Woods, original watercolor by Meredith Dedman
Heart of the Woods, original watercolor by Meredith Dedman

“When I first began painting, I felt I had to stick to one medium in order to be successful,” Dedman reflects.

“As a result, I was very rigid in my ideas about art and good painting. But fortunately, I was shown that art can and should be fun, as long as a person doesn’t take themselves too seriously.”

One is serious, yet not too serious: the idea is to pursue excellence, yet cut oneself some slack when things don’t happen the way expected or envisioned, which describes a lot of life, actually.

“The process can be as simple as making marks on paper that are pleasing to a viewer,” Dedman says.

“I simply try to capture the beauty and color in the world around me and capture a moment in time with the filters of my eyes, rather than the lens of a camera.”

Wenaha GalleryMeredith Dedman is the featured Pacific Northwest Art Event artist from Monday, February 8 through Saturday, March 12. There will be an artist’s reception Saturday, February 20, from 1-4 p.m. at the gallery, during which time we invite you to meet and greet the artist, as well as enjoy free refreshments.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

Wenaha Gallery is your destination location for Greenwich Workshop Fine Art Prints, professional customized framing, and original fine art paintings and sculpture by notable Pacific Northwest artists.   Books, gifts, note cards, jigsaw puzzles, and more are also available. Visit at 219 East Main, Dayton, WA.

This article was written by Carolyn Henderson.

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Fishing Tackle Boxes Make Great Artist Studios — The Hand-crafted Jewelry of Anna Steinhoff

A selection of jewelry by Anna Steinhoff, guest artist at Wenaha Gallery
A selection of jewelry by Anna Steinhoff, guest artist at Wenaha Gallery

Artists work in all sorts of spaces, but the waiting room of an airport has to be one of the more exceptional studio venues. Recently, while fellow travelers absorbed themselves in cell phones and digital notebooks, jewelry maker Anna Steinhoff settled back in a coffee-shop rocking chair and created wearable accessories until her flight boarded.

“I keep my supplies organized in tackle boxes,” the Dayton artist explains, “and I have one tackle box that has a little bit of everything for traveling.”

Bracelets by Anna Steinhoff, guest artist at Wenaha Gallery
Bracelets by Anna Steinhoff, guest artist at Wenaha Gallery

Jewelry making, while it is intricate and detailed, is highly portable, an aspect Steinhoff discovered at the age of 13, when she originated her sideline career in yet another unusual place: the hospital room where she was receiving treatment for lymphoblastic leukemia, a type of blood cancer.

“I had almost three years of chemotherapy treatments, so I needed something to do,” Steinhoff says. “I started making jewelry because I needed a good distraction — you can only watch so much TV.” When a local leather-craft store offered Steinhoff supplies in exchange for her creating projects and displays for their windows, the teenager used her time well: she fashioned intricate seed bead projects, bags, and moccasins, as well as tooled carved leather into wallets, purses or belts.

Jewelry artist Anna Steinhoff gives demonstrations during Art Walk at Dayton's Wenaha Gallery
Jewelry artist Anna Steinhoff gives demonstrations during Art Walk at Dayton’s Wenaha Gallery

Out of hardship grew something beautiful, with the skills Steinhoff developed during adolescence growing and flourishing into adulthood and a business, Blue Mountain Made, which she advertises primarily through her Facebook page of the same name. And while leather and beads still factor into the supply list, Steinhoff has added extensive variety to her material stockpile, scouring antique shops, outdoor stores, and the proverbially treasure-laden family attic for unusual design elements.

Assorted rings made by Anna Steinhoff, Many feature the primer cut from the end of a used bullet shell
Assorted rings made by Anna Steinhoff, Many feature the primer cut from the end of a used bullet shell

“I’ve used parts from bicycle chains, antique pocket watches, fish hooks, fishing flies, bullet cases, old belts, rocks, and flowers,” Steinhoff says. “A lot of my materials are recycled. Almost all of the leather I use are scraps from upholstery stores or even motorcycle chaps.”

An especially impressive find unfolded in her grandparent’s attic, where she stumbled upon a jar filled with brass buttons. A note within described the buttons as from Steinhoff’s great, great Uncle Frank Jobe’s World War I uniform, and it didn’t take long to incorporate this memorabilia into a leather bracelet.

Steinhoff loves leather, it being a major component in many of her pieces. A highly natural, organic element, leather adds a sense of the mountains and countryside, not to mention its ability to impart beauty without being “girly-girl,” an appellation Steinhoff avoids.

“I like wearing something that comes from nature and/or reminds me of the olden days when things were hand forged and simpler,” she says.

Handcrafted earrings by Anna Steinhoff, guest artist at Wenaha Gallery
Handcrafted earrings by Anna Steinhoff, guest artist at Wenaha Gallery

“It’s important to me that I make quality goods, but I want them to have a hand-crafted, simple beauty to them — things you can tell that someone put a lot of time and love into.”

In addition to the wearers of her jewelry, Steinhoff has another, unusual fan named Tikka, the family Labrador with a leather addiction. Because the artist’s primary place to work is the kitchen table, she keeps a watchful eye out for Tikka, but sometimes the dog’s muzzle is quicker than the human eye.

“I have to keep leather put away, or she’ll eat it every time. She has actually eaten a lot of things I’ve made.

“I have some dangly leather earring’s I’ve made, and every time I wear them she nuzzles my neck/ears and it tickles. The more I giggle, the more she nuzzles and tries to nibble the earrings.”

Freeloader. But a fetching one.

With a day job in human resources at the Walla Walla Penitentiary, Steinhoff balances family time with commercial endeavor, and launched her business officially last year at Dayton’s Blue Mountain Station. She has recently been invited to share store space at Azure Mountain Botanicals in Dayton.

“I never know what I will make next,” the artist says. “I just like things that are simple, pretty, rustic, and handcrafted.”

Wenaha GalleryAnna Steinhoff is the featured Art Event artist at Wenaha Gallery, 219 East Main Street, Dayton, WA from Monday, October 5 through Saturday, October 31. 

Contact the gallery by phone at 800.755.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

Wenaha Gallery is your destination location for Greenwich Workshop Fine Art Prints, professional customized framing, and original fine art paintings and sculpture by notable Pacific Northwest artists.   Books, gifts, note cards, jigsaw puzzles, and more are also available. Visit at 219 East Main, Dayton, WA.

This article was written by Carolyn Henderson.

 

 

Life Is a Journey — The Primitive Rock Art Paintings and Sculpture of Monica Stobie

Belle, by Wenaha Gallery artist Monica Stobie.
Belle, by Wenaha Gallery artist Monica Stobie.

Some humans live for many many decades, while others measure their lifespan in moments. But all humans, whether or not they ever physically walk on the earth, leave a footprint. It is part of their journey.

A Little Attitude by Wenaha Gallery artist Monica Stobie.
A Little Attitude by Wenaha Gallery artist Monica Stobie.

For fine artist Monica Stobie, the concept of a journey is simultaneously highly personal and sweepingly universal, embodying the distinctive experience of the individual in concomitance with the lives, stories, and existence of people throughout history. Stobie, whose subject matter — and passion — is rock art, creates pastel, oil, mixed media, collage, and sculpture that draw inspiration from the petroglyphs (pictures carved into rock or stone) and petrographs (pictures drawn or painted on a rock surface) of ancient people. Raised on an apple ranch in the Yakima Valley, Stobie was attracted from a young age to the symbolism and animal imagery of Native American culture, and when, years later, she stumbled upon rock art at a site near the Snake River, she was, as she phrases is, “hooked.”

Cowbird by Wenaha Gallery artist Monica Stobie.
Cowbird by Wenaha Gallery artist Monica Stobie.

“I have traveled extensively, exploring rock art sites, which has given me an unlimited source of inspiration,” Stobie says. “I worked for several weeks one summer documenting rock art sites on private land. Having a Navajo guide provided a unique perspective on these ancient sites. “Hiking through harsh desert conditions gave me an understanding of a much more difficult time of survival for ancient peoples.”

Fly Away by Wenaha Gallery artist Monica Stobie
Fly Away by Wenaha Gallery artist Monica Stobie

Stobie translates this understanding, empathy, and fascination into two- and three-dimensional format, and over a professional art career spanning 30 years, she has evolved her technique and style through exploration of various mediums. “Originally, I worked with paper collage — kind of a paper marquetry –fitting different pieces of paper into a design, much like a puzzle.”

Constant experimentation with papers led to her discovery of Mexican bark cloth, a heavily textured paper made from indigenous tree bark that holds layers of rich pastel colors and texture. The next step was sculpture, in response to requests by various galleries carrying her work, and the most recent path is that of oil and mixed media. Throughout all the variance and experimentation, the research and exploration, however, the crux of the matter, which forms the basis of her pilgrimage through both life and art, remains constant:

“When I look at the journey, the prevailing theme of textures, primitive imagery, and animals are prominent,” Stobie observes. She loves the mystery of it all. Life is, after all, a mystery to and for all of us, with none of us knowing where the next step will lead.

Red Hills by Wenaha Gallery artist Monica Stobie
Red Hills by Wenaha Gallery artist Monica Stobie

In Stobie’s case, art has been a part of her life since early childhood, when she learned under the aegis of her grandmother, a watercolorist.  Early school experiences reinforced a fledgling artistry, when a second-grade teacher praised Stobie’s interpretation of a bird as a sign of outstanding creativity. Adulthood found her graduating from Eastern Washington University with a degree in Art Education, which she put to use for 15 years teaching junior and senior high art in Walla Walla, WA, and Milton-Freewater, OR. Moving to Dayton, WA, coincided with the decision to turn her steps to a new path, one that plumbed the adventures of independent, full time, professional fine art.

Whispers by Wenaha Gallery artist Monica Stobie
Whispers by Wenaha Gallery artist Monica Stobie

“Working in a converted bedroom turned into a studio, I began my trek to carve a place in the art world,” Stobie says.

Given her chosen subject matter, it is ironically appropriate that Stobie chooses the word “carve.” The impact she has made extends far from her Dayton venue, as she shows and sells her work to a diverse and widespread clientele.

“During the span of my career I have shown in galleries, mostly throughout the Northwest but also Wyoming, Colorado, and California. In recent years, fellow artist Jill Ingram and I managed our own gallery in Dayton.”

And now, it’s a new adventure, a new direction on the path as Stobie and her husband prepare to move to the Southwest, using this new home as a base from which to travel.

As with all of life’s experiences, some things change, while others stay the same: in a new home, a new venue, a new adventure, the studio, for now, will start out in the familiar fashion of a converted bedroom. But it’s all part of the adventure. “And so,” Stobie proclaims, “a new journey begins.” Wenaha Gallery

Monica Stobie is the featured Art Event artist at Wenaha Gallery, 219 East Main Street, Dayton, WA from Saturday, August 22 through Saturday, September 19. An Artist’s Reception is scheduled Saturday, August 22, from 1 – 5 p.m. at the gallery, during which time Stobie will be present to meet viewers and talk about her art. Free refreshments are provided.

Contact the gallery by phone at 800.755.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment.

Visit the Wenaha Gallery website online at www.wenaha.com.

Wenaha Gallery is your destination location for Greenwich Workshop Fine Art Prints, professional customized framing, and original fine art paintings and sculpture by notable Pacific Northwest artists.   Books, gifts, note cards, jigsaw puzzles, and more are also available. Visit at 219 East Main, Dayton, WA.

This article was written by Carolyn Henderson.

The Things You Find on Church Clean-up Day — A World War I Service Banner

World War I Service Banner preserved and framed through Wenaha Gallery, banner is the property of the First Congregational Church of Dayton WA
The Service Banner from World War I found at the Dayton First Congregational Church. On the left is the banner’s front, featuring the colored stars and symbols; the back, on the right, are hand-sewn name tags corresponding to the symbols on the front

Anyone who has ever participated in church clean-up day knows that the most exciting aspect of the event generally wraps around lunch. But for a group of Congregationalists in Dayton, WA, a find in the attic definitely outshone anything on the dessert table.

It was 2002, and Roslyn Edwards, wife of then-pastor Steve Edwards, was with a group in the attic, tidying up.

World War I Service Banner of First Congregational Church Dayton WA, preserved and framed by Wenaha Gallery
During the measuring process, the Service Banner was gently laid flat across a surface, but the rest of the time, it needed to be hung.

“I don’t know why, but Roslyn for some reason decided to go crawling into the rafters,” Dallas Dickinson, a member of the church and the crew, remembers. “And then she says, here’s a rag. She pulled it out, and it was a banner on a stick.

“We unrolled it. I looked on the back of it and then I said, ‘That’s my great uncle’s name on the back, Charlie Johnson.'”

Other names — on 42 hand-sewn tags — looked familiar to Dickinson. Broughton, Lyman, Boldman, Dumas — she read them out, and within short order the group realized that, whatever they’d found, it definitely wasn’t a rag.

“When I saw the name, Frank Bauers, that was a clue that what we had dated to World War I,” Dickinson says, explaining that Bauers, who died overseas of wounds in 1918, is the military member after which the local American Legion post is named.

The framed service banner, the whole package, was carefully rolled down through Main Street during Dayton, WA''s All Wheels Weekend
The framed service banner, the whole package, was carefully rolled down through Main Street during Dayton, WA”s All Wheels Weekend

What the  group had found was a service flag, a banner (in this case, hand-crafted) that honors family or community members who serve in the armed forces during any period of war or hostilities in which the U.S. is engaged. Such banners consist of a white field with a red border, a blue star representing each service member, and a gold star placed for one who died during service. The banner found at the Congregational church includes one gold star, for Bauers, 38 blue stars, two red crosses (for nurses) and a red triangle (spiritual or recreational service).

Frames for World War I Service Banner owned by First Congregational Church Dayton and framed by Wenaha Gallery
While the service banner weighs practically nothing, two frames, with Optium Museum Acrylic, result in 58 pounds of hanging weight.

“I recognized 20 or so of the 42 names on the back,” Dickinson says, “and I knew the descendants of them, mainly because my family has been here since the 1880s, 1890s. Although I have to admit when I saw the name John Rockhill, I was surprised. I always thought (local Dayton landmark) Rockhill was called that because it was a big rock, but it must have been named after John and his family.”

It was a find indeed, but a perplexing one, because while the group knew they couldn’t put the treasure back where they found it, they weren’t quite sure where to take it next.

“We carefully rolled it back up and consulted with people at the (historical) Depot,” Dickinson remembers. “We ended up keeping it there with their precious things,  folded it properly, and put it in a box with acid free paper. But I always had the idea of preserving it in such a way that we could get it out there, to the community, so that it could be seen.”

Considering that the Service Banner is 46 inches wide by 69 inches high, it is not small piece of conservation acrylic that needs to be measured and cut to fit -- twice -- one for each side.
Considering that the Service Banner is 46 inches wide by 69 inches high, it is not small piece of conservation acrylic that needs to be measured and cut to fit — twice — one for each side.

Dickinson’s idea approached reality this year, as she consulted with Lael Loyd, principal framer at Wenaha Gallery, regarding how feasible — and how much — it would be to frame the flag for both posterity and display. At 46 inches wide by 69 inches high, the banner — which needs to be seen on both sides — is no simple framing job.

Loyd consulted conservationists, designers, contractors, and other framing experts to come up with a plan, while Dickinson wrote letters to as many descendants of the names on the banner that she could find, requesting funds.

“People were really generous,” Dickinson says, “and I was able to raise two thirds of what we needed. The balance came from the Dayton Columbia County Fund, a local organization that supports projects like this.”

During the two hours that the service banner was on outdoor display, during Dayton's All Wheels weekend, two volunteers supported it from both sides. Once the stand has been completed by a local artisan, this will no longer be necessary!
During the two hours that the service banner was on outdoor display, during Dayton’s All Wheels weekend, two volunteers supported it from both sides. Once the stand has been completed by a local artisan, this will no longer be necessary!

Loyd, meanwhile, was trying to figure out a way to hang the flag between two — very large — pieces of Optium Museum Acrylic, which she describes as top in the industry for protection and conservation. But she didn’t want the fabric pressed between the acrylic; she wanted it hanging, as naturally as possible, at the same time ensuring that the textile was sealed and framed for protection.

Added to the challenge is that the banner, while she worked on it, was rarely laid flat, but hung, requiring the (white gloved) hands of two or three assistants. “Everything was pieced together as the banner was standing upright,” Loyd says. “We didn’t want it laying flat with the weight of the acrylic on one side or the other.

“It’s all about preserving for generations to come.”

That it is, and the finished project is slated for a semi-permanent home at American Legion Post 42 museum on Clay Street in Dayton, with Dickinson envisioning it being loaned out to interested parties upon request.

“We want this banner, this piece of history, to be out where the public and community can see it,” Dickinson says.

“By far, it’s the best thing we’ve ever found up in the church attic.”

Wenaha GalleryThe Service Banner of the Dayton First Congregational Church will be on display at Wenaha Gallery from Monday, June 22 through Saturday, July 11.

Contact the gallery by phone at 800.755.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

Wenaha Gallery is your destination location for Greenwich Workshop Fine Art Prints, professional customized framing, and original fine art paintings and sculpture by notable Pacific Northwest artists.   Books, gifts, note cards, jigsaw puzzles, and more are also available. Visit at 219 East Main, Dayton, WA.

This article was written by Carolyn Henderson.

 

Honoring an Ingenious People – The Palus Museum Celebrates the Heritage of the Palouse Indians

 

Palus Museum historical site in Dayton WA showcasing the Palouse Indians Lewis and Clark and the pioneering homesteaders
A large painting of Palouse Falls, surrounded by displays of artifacts, greets visitors as the enter the Palus Museum

We live in an area rich with history, steeped with the life stories of brave, hardworking people.

Frequently, those of us who reside in the West now associate those brave, hardworking people with the pioneers, many of whom did not make it here without losing someone along the way. But history goes back further than that, and before there were pioneers, there were brave, hardworking people who eventually lost a way of life: the Cayuse, the Nez Perce, the Umatilla, and the Palouse.

Palus Museum historical site in Dayton WA showcasing the Palouse Indians Lewis and Clark and the pioneering homesteaders
A thoughtful coyote and bronzework take viewers to a different place and time at the Palus Museum.

It is for this reason — that life changes, and we do not want to obscure or forget the past, and we wish to bring honor to those who live in the present — that a group of local people in Dayton joined together to create the Blue Mountain Heritage Society in 1999, with a focal interest to engage the public in the rich and diverse regional history of Columbia County and its environs. And one of principal people in this rich history are the Palouse Indians.

A small tribe in Southeastern Washington and Northern Idaho that was culturally related to the Nez Perce, the Palouse (or Palus) “were a very smart people and a very strong people,” according to Rose Engelbrite, one of the founding members of the society and the manager of the Palus Museum in Dayton.

“The things they had to make and do just in order to survive were very involved, from making shoes and arrowheads to gathering food.”

A hand woven basket, a baby carrier, and a trunk dating from 1812 are a link to the past at the Palus Museum.
A hand woven basket, a baby carrier, and a trunk dating from 1812 are a link to the past at the Palus Museum.

The museum, which possesses an unpretentious exterior that belies the treasures within, is home to numerous and diverse artifacts, from beadwork to handspun rope, bone hairpieces, clothing, hand crafted tools, a medicine bag, and — the foundation upon which the collection was started — arrowheads gleaned from the area by local resident Wayne Casseday.

“Collecting artifacts was a hobby of his, and he wanted other people to see them,” Engelbrite explains. “He asked us if we would be interested to set up a place where these could be shown and not be stored away out of sight.”

Palus Museum historical site in Dayton WA showcasing the Palouse Indians Lewis and Clark and the pioneering homesteaders
From the outside, Palus Museum gives no clue to the historical treasures within.

The arrowheads are all colors and sizes, painstakingly and skillfully crafted for their specific purpose, testament to the artistry and personality of their makers. One of Engelbrites favorite artifacts, however, looks like a long, slim rock, about the size of a small foot, and slightly curved, just like a foot. This is no accident, she says, but further evidence of the Palouse Indians’ astute resourcefulness.

“It’s a last,” she explains, “which is an object that shoemakers build their shoes around. Back then (the 1800s, and earlier) many shoes did not have a right shoe and a left shoe, but it was the same shape for both feet.

Barbed Wire at the Palus Museum
Who would guess that there could be so many varieties of barbed wire?

“The Palouse Indians used this last which has a light curve at the top, so they were able to make one shoe, a right one, and then flip over the last and make a left one.

“As I say, they were an ingenious people.”

The Palouse were noted horse breeders and traders — the Appaloosa, with its distinctive spotted coat, drawing its name from that of the tribe. Numbering around 1,600 during the expedition of Lewis and Clark, the Palouse tribe migrated between Palouse Falls in the winter, where the fishing was plenty, to the Dayton area in the summer, where they collected berries.

But as we know, with the advent of explorers, trappers, and pioneers from the east, this way of life drastically changed, and two cultures clashed until the Palouse, dwindling in size, no longer roamed the land they once lived. The museum itself addresses the issue, with exhibits featuring relics from both the Lewis and Clark Expedition and the pioneering homesteaders.

Set next to a woven cooking basket made from cedar root and cedar root skin is a small, handmade trunk, consisting of rawhide and fur over wood and lined with newspaper dated 1812. An annex to the museum houses the homestead room, with butter churns, washboards, a cast iron wood stove and an impressive display of the many styles of barbed wire used for fencing.

Most of the historical items are local, donated by families of the area, interested in the historical society’s mission and eager to contribute so that the past, though it is in the past, will have its place in the present.

“This is the history of the area in which we live,” Engelbrite says, “and it is a part of all our heritage.”

Wenaha GalleryThe Palus Museum, at 426 E. Main, is located two blocks from Wenaha Gallery in Dayton, WA, and is well worth a visit to view. Admission to the museum is free, with donations gratefully accepted. The museum is open Fridays and Saturday from 1 to 4 p.m. For more information, contact Rose at 509.337.8875, or contact the historical society through its Facebook Page.

Contact the gallery by phone at 800.755.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

Wenaha Gallery is your destination location for Greenwich Workshop Fine Art Prints, professional customized framing, and original fine art paintings and sculpture by notable Pacific Northwest artists.   Books, gifts, note cards, jigsaw puzzles, and more are also available. Visit at 219 East Main, Dayton, WA.

This article was written by Carolyn Henderson.

Celebrating the Extraordinary of Ordinary — Anne Bullock’s Raku, Stoneware, Pottery and Multi-Media Art

 

Ring Handled Vessel, pottery sculpture by artist Anne Bullock at Wenaha Gallery.
Ring Handled Vessel, pottery sculpture by artist Anne Bullock at Wenaha Gallery.

Woven baskets and clay pots — these humble vessels have been used by ordinary people throughout history. And although they have been and still are a major factor in the daily lives of many, humble vessels are frequently overlooked and discounted in the worlds of both academia and fine art.

Corn Box potter sculpture by Anne Bullock at Wenaha Gallery
Corn Box potter sculpture by Anne Bullock at Wenaha Gallery

It is the rare, sensitive eye that sees the value of the prosaic, and Anne  Bullock, a Walla Walla mixed media artist who, until her death in 2014, celebrated the history and culture of the Plateau people, recognized and respected the expertise and creativity of Pacific Northwest, Native American artisans.

“Anne always worked from a place of deep spiritual meaning,” her husband, David Bullock, remembers. “She found meaningful inspiration in the way these skilled designers used materials at hand in environmentally sound ways to create beauty as well as function.”

Anne’s interest in indigenous baskets took her throughout the region, as she explored the exhibits of the Wanapum Heritage Center Museum, Maryhill Museum, The Columbia Gorge Discovery Center, Sacajawea State Park, Tamastslikt Cultural Institute, The Northwest Museum of Art and Culture,  the Fort Walla Walla Museum, and numerous other historical locations.

Blue Vase pottery sculpture by Anne Bullock at Wenaha Gallery
Blue Vase pottery sculpture by Anne Bullock at Wenaha Gallery

“Vessels are a metaphor for my life and work,” Anne said in her artist statement. “I’m impressed with how early Native American Indian artisans worked with indigenous ‘of the earth’ materials. The gifts of the earth were revered; only what was needed was taken.”

In the spirit of the people she admired and honored, Anne worked in multiple mediums, both two- and three-dimensional, primarily in pottery, but her skills, like her interests, extended a wide range.

“She worked with charcoal, colored pencil, pastel, acrylics, and mixed media assemblage,” David says. “She also augmented her art with work in bamboo, wood, stone, wool, and paper.”

Untitled pottery sculpture by Anne Bullock at Wenaha Gallery
Untitled pottery sculpture by Anne Bullock at Wenaha Gallery

A most outstanding piece, remembered by artist friend and curator of Anne’s work Colleen Sargen, is “Earth, Wheat, Fire,” consisting of 36 tiles which needed to be precisely placed at the former Willow Gallery in Walla Walla, WA, during Anne’s Interwoven Exhibition there in 2010.

“She impressed wheat, other flora objects to honor the earth, bark of trees lost in the Walla Walla wind storm of 2007, and specific items such as sand dollars carefully placed, to honor individuals dear to her who have passed on,” Sargen says.

Adding especial interest to the installation was that the tiles were still being created during the week that Sargen was installing the show. “Because the tiles were still smoldering in the fire pit, the fire needing to extinguish naturally, we waited, realizing it would be the last piece installed!” Sargen recalls. But the wait was worth it.

Plateau Series Relief on Panel by Anne Bullock at Wenaha Gallery
Plateau Series Relief on Panel by Anne Bullock at Wenaha Gallery

“It is a stunning work, and Anne’s wish was that it be placed in a health care facility.”

These wishes are completely in line with who Anne was, Sargen continues, describing her friend and colleague as “so very tender hearted, it seemed that she herself suffered for the pain of others and actively took steps in daily life to ease pain and bring peace.” One means by which Anne accomplished this was through the March of Peace events that she organized in 2008, involving community members in the creation of small, clay “pinch pots” that were placed in an outdoor art installation at the Walla Walla Foundry’s sculpture garden.

David explains, “Anne sought every opportunity to involve community in her art, in ways such as attaching prayers to her bamboo prayer walls, tying personal mementos to a community memory strand, and even using puzzle pieces from second-hand puzzles to make vessels.”

Throughout Anne Bullock’s life, and during the 38 years she worked and created in Walla Walla, community was a driving factor. Whether that community consisted of the town in which she was living, or the memories of the people who had lived in the area centuries beforehand, she devoted her energy, her skill, and her art to acknowledging and honoring the contributions of ordinary, every day people:

“I am compelled to tie, bind, glue, blend, melt, carve, coil, weave, overlap or somehow piece together media in any way materials allow or dictate,” Anne’s artist statement outlines her deep-set beliefs.

“Integrating materials through these processes gives voice to my themes of honoring the earth, its resources, and inhabitants.”

Wenaha GalleryAnne Bullock’s collection of two- and three-dimensional work is the Art Event: Pacific Northwest feature at Wenaha Gallery from February 23, 2015 through March 21, 2015 at Wenaha Gallery’s historic Dayton, WA location, 219 East Main Street.

“Anne had a special connection with the Wenaha Gallery for many years, and I hope this showing of her work here can honor that connection and provide her community of friends the opportunity to remember and appreciate her creative endeavors.” — David Bullock

Contact the gallery by phone at 800.755.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

Wenaha Gallery is your destination location for Greenwich Workshop Fine Art Prints, professional customized framing, and original fine art paintings and sculpture by notable Pacific Northwest artists.   Books, gifts, note cards, jigsaw puzzles, and more are also available. Visit at 219 East Main, Dayton, WA.

This article was written by Carolyn Henderson.

Crazy about Art — The Eclectic Paintings of the Blue Mountain Artist Guild

An eclectic show of various media, subject matter, and art styles by the Blue Mountain Artist Guild, at Wenaha Gallery
An eclectic show of various media, subject matter, and art styles by the Blue Mountain Artist Guild, at Wenaha Gallery

There are so many misconceptions about artists, the most pronounced being that they are solitary creatures, reluctant to appear in daylight, preferring instead to lurk like hermits in their attic-loft studios.

Chickens, original watercolor by Sylvia Beuhler of the Blue Mountain Artist Guild, Dayton, WA, showing at the Wenaha Gallery.
Chickens, original watercolor by Sylvia Beuhler of the Blue Mountain Artist Guild, Dayton, WA, showing at the Wenaha Gallery.

Outside of mass media interpretation, however, artists are people like any other, and many of them enjoy assembling to socialize and encourage. One such group is The Blue Mountain Artist Guild of Dayton, WA, consisting of some dozen painters, who gather monthly to provide new artwork for the community — which they hang at the Delaney Building near the library and the Dayton General Hospital lobby.

“Our meetings are generally informal, sometimes a program is presented, and we always discuss the inspiration for our latest work and any special technique or process used in its creation,” according to Meredith Dedman, current president of the group, who, with  longtime area resident Vivian McCauley, co-created the BMAG in 2008.

Number 500, original watercolor by Meredith Dedman of the Blue Mountain Artist Guild, at Wenaha Gallery.
Number 500, original watercolor by Meredith Dedman of the Blue Mountain Artist Guild, at Wenaha Gallery.

“We had both belonged to art associations in Arizona and Florida, and we missed the camaraderie and inspiration when a group of artists get together,” Dedman explains.

That camaraderie these days revolves around the challenge of painting to a monthly theme, which the group decides upon and schedules up to a year in advance. This year’s challenges range from Something Red — to be shown in February — to Collage in April, Caricatures in October, and Toys in December. Summer’s challenge, in July and August, requires each artist to paint from the same reference.

Evening Meal, original acrylic painting by Brenda North of the Blue Mountain Artist Guild, at the Wenaha Gallery.
Evening Meal, original acrylic painting by Brenda North of the Blue Mountain Artist Guild, at the Wenaha Gallery.

“I was excited when I joined the Guild to find that they had a ‘theme’ for each month’s display of paintings,” member Brenda North says. “It was good to have fresh ideas and feedback from other artists.”

Co-member Sylvia Beuhler, who holds a Bachelor of Fine Arts and taught art in public school, initially was not as enthusiastic about the concept.

“At first, I didn’t like the theme idea,” she says, “but after about a year, I really started to enjoy playing with the theme to see what I could come up with.”

The Conversation, original watercolor painting by Michele McIntire-Smith of the Blue Mountain Artist Guild, at the Wenaha Gallery.
The Conversation, original watercolor painting by Michele McIntire-Smith of the Blue Mountain Artist Guild, at the Wenaha Gallery.

Beuhler and North join Dedman, along with Kris Takemura and Michele McIntyre-Smith, to present a guild showing of their work at Wenaha Gallery, Dayton, WA, through March 7. A reception is scheduled Saturday, February 21, from 1 – 4 p.m., with all five artists in attendance, reflecting a subject matter ranging from seascapes to chickens, in acrylic and watercolor media, the latter the preferred medium of the exhibitors.

“Watercolors can produce beautiful and sometimes unforeseen results because of the difficulty of control,” Takemura, a retired early childhood and elementary teacher, observes.

Ballerina, original watercolor by Blue Mountain Artist Guild member Kris Takemura, for the Wenaha Gallery
Ballerina, original watercolor by Blue Mountain Artist Guild member Kris Takemura, for the Wenaha Gallery

Dedman thrives on the medium, having studied under well known watercolorists such as Sue Archer, Ann Pember, Tom Jones, Pat Weaver, Diane Maxey, and Karlyn Holman. In the spirit of learning and sharing, Dedman offers watercolor classes of her own, and several guild members take advantage of the opportunity..

As is the situation with many artists, guild members paint where they can, some in designated studios, others in spaces that become studios by virtue of being made to function as one. North turned a spare bedroom into a space to create; Takemura expropriated a table in her Rec room; McIntire-Smith chose a room in her home where she looks out at, and is inspired by, the deer-filled, bird habitat adjacent to the Touchet River.

“There is never a shortage of beauty in nature where we live,” North says. “And it’s good to have fresh ideas and feedback from other artists.”

McIntire-Smith agrees, echoing the sentiments of others in the group:

“I am grateful to the other members,” she says, “for their insights and encouragement.”

So, the next time you see the crazy artist, in the movies, mumbling and muttering to himself, and plucking at his ear, remember that they’re not all that way.

Wenaha GalleryThe Blue Mountain Artist Guild is the Art Event: Pacific Northwest Feature at Wenaha Gallery from February 9, 2015 through March 7, 2015 at Wenaha Gallery’s historic Dayton, WA location, 219 East Main Street. There is a reception with the artists present on Saturday, February 21, from 1 to 4 p.m. Free refreshments provided.

Contact the gallery by phone at 800.755.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

Wenaha Gallery is your destination location for Greenwich Workshop Fine Art Prints, professional framing, and original fine art paintings and sculpture by notable Pacific Northwest artists.   Books, gifts, note cards, jigsaw puzzles, and more are also available. Visit at 219 East Main, Dayton, WA.

This article was written by Carolyn Henderson.