The Master Potter’s Student — Caprice Scott and Her Ceramic Art

Wildflower themed pottery platters by Caprice Scott.
Wildflower themed pottery platters by Caprice Scott.

There’s no fixing an exploded piece of pottery.

This is not, however, sufficient reason for the average person to give wide berth to ceramic bowls, cups, saucers, and platters. It’s not on the shelf that a piece of pottery rends itself asunder but rather, in the kiln with a temperature ranging from 1112 degrees Farenheit to 2300-plus.

Paisley Pots by Wenaha Gallery pottery artist, Caprice Scott
Paisley Pots by Wenaha Gallery pottery artist, Caprice Scott

“We’re not talking about just hot enough to burn dinner in the oven here,” College Place potter Caprice Scott, who specializes in hand-built and sculpted ceramic-ware, says.

“Working with clay is a tricky business,” she adds. “I don’t think people realize how fickle and capricious clay and glazes can be.” If the environmental humidity is low, the clay dries too fast and cracks before it even makes it to the kiln; if it’s winter in the Pacific Northwest and the humidity is high, it can take forever for the clay to dry — frequently when the potter is working on a commissioned order with a timeline. Glazes add complications to the creation process.

And that eruption issue?

“If there happens to be an air bubble somewhere in the clay, you might find your piece has exploded in the bisque kiln.”

With all the things that can go wrong, it’s astonishing that anything survives, but that it does — as well as thrive in beauty, functionality, and form — is testament to the skill of the potter. Scott, whose experience in the art arena ranges from teaching in private and charter schools to painting murals in million-dollar Colorado spec homes, turned her central focus to pottery upon her family’s moving to the Pacific Northwest six years ago.

Ceramic spoons by Wenaha Gallery pottery artist Caprice Scott
Ceramic spoons by Wenaha Gallery pottery artist Caprice Scott

Scott’s drive to learn and experiment, in conjunction with an attention to detail, impel her to create unusual pieces and collections — such as the sugar/creamer set shaped like European village houses which garnered an award at an art exhibition, or the commissioned clay box fashioned into a Dr. Who fez hat, tassel and all.

“I take delight in coming up with something no one else has done before and probably won’t ever do again,” Scott explains.

“I usually work within a theme or do a bunch of one thing for a little while. I find something new and get really passionate about it and I make as many pieces as I can for a few months, and then I move on to something new.”

One aspect that is consistent in all of Scott’s pieces is the signature at the bottom: her last name, and then the biblical verse, Isaiah 64:8, which, when one looks it up, says,

Birdies and Potteries functional ceramic art by Wenaha Gallery pottery artist Caprice Scott
Birdies and Potteries functional ceramic art by Wenaha Gallery pottery artist Caprice Scott

“You, Lord, are our Father. We are the clay, you are the potter; we are all the work of your hand.”

Scott stumbled upon the verse in a period of frustration, when everything that could go wrong with creating pottery (including explosions), did, and she decided to dedicate each piece to Him, as a work of His hands as well as hers.

“So when the pieces were blowing up or coming out of the kiln cracked, I was like, ‘God, Your pottery is breaking. And it’s Yours, so I guess it’s okay. If You’re okay with it, then I am, too.”

Completing a part of Scott’s journey, the verse confirmed that her work gave meaning to others as well as to herself, and she felt as if God were saying, “You, Caprice, can call me ‘My Father, the Potter.’

“I really feel this verse sums up all that I am and all that my pottery represents. Without the Master Potter, I and my work wouldn’t be.”

Scott’s work is unique, skillful, eclectic, passionate, and illuminated by imagery that celebrates the outdoor world: flowers, leaves, Native American art, and wildlife, reflecting an appreciation for nature that Scott acquired through living in Colorado, and reaffirms in the Pacific Northwest.

“I need to be surrounded by beauty. If I can’t be out in nature, I try to bring beauty inside.”

Beauty ignites.

Wenaha GalleryScott’s work is on display at Wenaha Gallery. During the Christmas season, Scott is holding a Christmas Ornament Workshop at the gallery, gently leading students (who don’t have to have any experience in pottery, because Scott does) into making a customized pottery ornament for their tree. The two-part workshop takes place Sunday, November 15 and Sunday, December 6. Cost is $55 for both workshops, with all supplies, and firing of the ornaments, included. Read more about the workshop at our article, Christmas Ornament Workshop.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

Wenaha Gallery is your destination location for Greenwich Workshop Fine Art Prints, professional customized framing, and original fine art paintings and sculpture by notable Pacific Northwest artists.   Books, gifts, note cards, jigsaw puzzles, and more are also available. Visit at 219 East Main, Dayton, WA.

This article was written by Carolyn Henderson.

One, Two, Three Artists Are a Charm — Caprice Scott (Ceramics), Joyce Wilkens (Author) and Wanda Thompson (Graphite)

porcelain art by caprice scott
Porcelain art by Caprice Scott.

Good things come in threes. Consider this: how many important decisions are made with the simple game, Rock, Paper, Scissors?

There were three wise men, three Bronte sisters, and three muskateers; there are three essential ingredients in the bacon, lettuce, tomato sandwich, no recipe necessary.

And for three weeks in June, three Pacific Northwest artists in three completely different mediums, will collaborate on an Art Event at the Wenaha Gallery, Dayton, WA.

Two are from College Place; all three have studied at, or graduated from Walla Walla University. And all three are fervent about what they do: Caprice Scott from College Place creates functional and decorative porcelain; Joyce Wilkens of Spokane is the author of coffee table books; and Wanda Thompson of College Place captures nature’s quiet places in graphite.

Caprice Scott

“God created me to create, and I feel a spiritual connection with Him when I’m working on pottery or sculpture,” says the maker of three-dimensional ware that spans the gamut from vases to lidded boxes, from ceramic fruit to purses in porcelain.

“In creating something I feel is of beauty, I have a tiny idea of who God is and the joy He takes in His creations.”

Scott’s hand-built pottery incorporates images from the natural world , and inspiration derives as well from her three years of living in Europe and traveling the globe to 11 countries. Throughout the seasons, Scott takes regular drives to the Blue and Wallowa Mountains, in search of greenery to press into clay.

teacup art book by joyce wilkens
Teacup Art . . . and Reflections by Joyce Wilkens

“In the Wallowa Lake area, there is a small grove of Aspen trees where I clip some leaves,” Scott explains. “I also look for pine cones. Although I’ve used a lot of things for clay impressions, my go-to and first choice is always something from nature.”

Language, as well, is a driving force in Scott’s art, and she finds various way to incorporate the written word into her work.

“It is beauty in itself, whether in a book, a love letter, or scrawled by a child with a piece of chalk on the sidewalk.”

Joyce Wilkens

While watercolor, oil, wood, and fabric are all mediums in which Wilkens works, books are a focus of her time these days, and her two recently published works are Teacup Art . . . and Reflections and Walking Sticks — Wanderings and Wonderings. The unusual subject matter appeals to a broad audience, and copies of her books reside in the libraries of Conrad Anker, the renowned mountain climber of Everest and K2; Tom Till, one of the nation’s top photographers; artist Guy Buffett; and former President George Bush.

The books, it seems, are as well traveled as their author.

“We spent three months working in Africa in 1985, ” Wilkens says. “That’s when I started up photography.”

That’s also when she and her husband, Keith, started their walking stick collection, which has grown, along with Joyce’s passion for hiking, nature, the beauty of wood, and the stories behind what is made from that wood, all of which fuel Wilkens’ inspiration for her books.

graphite art by wanda thompson
Langs De Stuwepad Dichbij Vilsteren by Wanda Thompson

“On a mission service trip in 1998, I traveled to a very primitive area of southern Madasgascar,” Wilkens remembers.”I took with me a watercolor painting I had done of lemurs in trees. I found a small craft store and asked if someone there could carve me a walking stick with a lemur on it, in exchange for the watercolor painting.”

The deal was struck, a one-of-a-kind walking stick found its way to Wilkens’ home and into her book, and “Madagascar not only has a piece of my art, but also a part of my heart.”

Wanda Thompson

Finding inspiration in nature and the quiet places of Europe, Thompson focuses on peacefulness, and often, on trees.

“I love trees!” Thompson says. “In our home, we have eight tall-to-the-ceiling Ficus trees plus two other large ones.

“But my favorite theme is bare trees because I love the shapes of the bare branches.”

While Thompson’s primary focus is on graphite and watercolor drawing, lately she finds that her camera is becoming a close friend, because she is always keeping her eyes open for unique trees and unusual landscapes to interpret in her studio.

From the highlands and islands of Scotland, to the Dolomites in Italy and Lapland in Finland and Norway, Thompson absorbs nature through hiking and hillwalking, “away from the rush and noise of the world.”

They are three different artists, working in three completely different formats, who all share an appreciation of nature, peacefulness, serenity and form. Come to think of it, that’s a pretty good working definition of art.

Wenaha Gallery’s Triple Play Art Event, featuring Caprice Scott, Joyce Wilkens, and Wanda Thompson, begins May 27 and runs through June 14 at the downtown Dayton, WA gallery, 219 East Main Street. A reception for the artists is scheduled Sunday, June 1 from 1-4 p.m., with all three artists in attendance and refreshments served. Wenaha Gallery

Contact the gallery by phone at 800.755.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at http://www.wenaha.com.

Wenaha Gallery,  located in historic downtown Dayton, Washington,  is your destination location for Greenwich Workshop Fine Art Prints, professional framing, and original fine art paintings and sculpture by notable Pacific Northwest artists.   Books, gifts, note cards, jigsaw puzzles, and more are also available. Visit at 219 East Main, Dayton; phone 509.382.2124; e-mail art@wenaha.com.

This article was written by Carolyn Henderson.