Life Outside the City Really Is for the Birds — the Wildlife Art of Hiroko Cannon

Hiroko Cannon drawing of Great Blue Heron in Brown Grass at Wenaha Gallery
Great Blue Heron in Brown Grass by Hiroko Cannon at Wenaha Gallery

The world of birds is thoughtful, peaceful, meditative, a far cry — or chirp — from the hustle and noise of Osaka and Tokyo, Japan, two metropolises known for their economic and commercial activity.

Fine artist Hiroko Cannon, who now calls Pendleton, OR home, was for many years a commercial and graphic designer in Japan’s two largest cities, creating illustrations for department stores during the day, and studying under her dream teacher, noted fashion and figurative illustrator Setsu Nagasawa, at night — that is, when she wasn’t still completing drawings for work:

“It was very hectic — projects came in the morning for the next morning’s newspaper,” Cannon remembers. “I would finish the drawings in the afternoon and wait for the first proof prints to come out for me to check. After the second and final checks I was free, to catch a taxi to go home in the middle of the night.”

And the next day, it started all over again.

Swainson's Hawk by Hiroko Cannon at the Wenaha Gallery
Swainson’s Hawk by Hiroko Cannon at the Wenaha Gallery

The quantity of work required, at the speed it demanded, was an art school all its own, and this in conjunction with studying human figure drawing and watercolor painting at the prestigious Setsu Nagasawa Seminar pushed Cannon to finesse her skills, and accuracy, in drawing.

“How to quickly catch the human movement on paper was one of Nagasawa’s curriculum, which I enjoyed a lot,” Cannon remembers.

In 1985 Cannon immigrated to the United States, and while she continued to produce illustrations and write articles on a freelance basis for women’s magazines in Japan, life changed from hectic to busy, simply because Pendleton, at its most frenetic, is not Tokyo. In the midst of raising two children, Cannon took a break from art, exchanging painting  for chauffeuring:

“Both children were heavily involved in music and required lots of shuttling to and from practice sessions, performances, and other activities,” she explained. But life goes on and children grow up, and when Cannon’s youngest child hit high school and began driving, Cannon knew that it was time to pick up painting again.

It was sheer happenstance that Cannon turned her skill, background, passion, and expertise to birds, sparked by a donation request from Lynn Tompkins of Blue Mountain Wildlife Rescue, who asked if Cannon would create a painting for the organization’s annual auction. Always a bird lover, as well as a strong supporter of the area’s non-profit organizations, Cannon agreed.

Redtailed Hawk by Hiroko Cannon at the Wenaha Gallery
Redtailed Hawk by Hiroko Cannon at the Wenaha Gallery

The public’s enthusiastic reaction to that first painting took its creator by surprise. Quickly sold for a good price, the painting sparked comments from others at the auction, who wanted to know where they could purchase more of her work. Cannon painted more originals which she reproduced as fine art prints, selling them briskly at the Pendleton Center for the Arts. Twice, Cannon walked away with the coveted People’s Choice Award at the center’s Open Regional Exhibit, and the demand for her work continued to increase. She then added greeting cards to her offerings.

Now working out of her house, which she uses as her work and storage place, Cannon explores the intricate detail and coloration of nature around her, concentrating on the big world of small things: birds, in their habitat; insects; spiders; flora; and the occasional snake. Her style is delicate, yet firm; accurate in detail; capturing the personality of her subject matter through its pose, or the expression upon its face. There is a sense of peacefulness far removed from sights and sounds and demands of a huge city.

“Looking back on my life in Tokyo, it was not for me anymore,” Cannon muses.  “Now, with my paintbrush, I am gently and slowly observing nature, including my life.”

Wenaha GalleryHiroko Cannon is the Art Event: Pacific Northwest Artist at Wenaha Gallery from November 17 through December 15, 2014. She joins Vancouver, WA, wood artist Craig Hardin at an artist’s reception Friday, November 28, 2014, at Wenaha Gallery during Dayton’s annual Christmas Kick-off.

Meet Cannon at the evening reception, from 4-7 p.m., and enjoy good company, fine art, and free refreshments at Wenaha Gallery’s historic downtown location, 219 East Main.

Contact the gallery by phone at 800.755.2124 or e-mail Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at

Wenaha Gallery,  located in historic downtown Dayton, Washington,  is your destination location for Greenwich Workshop Fine Art Prints, professional framing, and original fine art paintings and sculpture by notable Pacific Northwest artists.   Books, gifts, note cards, jigsaw puzzles, and more are also available. Visit at 219 East Main, Dayton; phone 509.382.2124; e-mail

This article was written by Carolyn Henderson.

Not Just Your Standard Birdhouse: the Art of Papa Jon’s Fly Inns

Ladybug Cottage bird house by Papa Jon's Fly Inns
An amply sized, glorious ladybug sings of spring, all year round. Ladybug Cottage by Papa Jon’s Fly Inns.

For sculptors Jon and Marilu Bryan, art is for the birds, literally.

The Dayton couple, who operate under the name of Papa Jon’s Fly Inns, create hand-crafted, one-of-a-kind birdhouses that look like something one would keep on a special shelf in the living room, but are fully functional outdoor homes for wildlife, designed to handle wind, weather, and wet.

“They’re made to be outside and for birds to really use,” Jon Bryan says, “but I have people who  plug the holes in them so birds can’t get in. Some people put them all over their houses as decor — in the kitchen, in the living room. We have Realtors who put them in houses that they’re showing.

“Other people put them outside and let me know about the different birds that have nested in them.”

Designed for small birds, the house shells are built out of premium, long lasting cedar topped by a hand-hammered, galvanized metal roof, which is insulated to protect birds from the heat. The entrance holes are sized to invite in small nesting birds, like chickadees or finches, but keep out predators and “undesirables,”  like starlings.

“We don’t want anything to get in to hurt the eggs or the chicks,” Jon says. “I did a lot of research about making a birdhouse that is usable by birds. I wanted to make sure that the materials were friendly to the birds, as well as the design.”

That being said, his part is the easy one, Jon insists, crediting his wife and business partner, Marilu, with creating — by hand — the decorations that festoon the houses, adornments that are carefully chosen and arranged to portray a particular subject matter or motif: There are coastal-themed birdhouses, complete with shells from the sea, driftwood from the beach, and Marilu’s quirky interpretation of a pelican. A farm-themed house features real straw, artfully strewn around a cow and a chicken.  There are trains, frogs, cactus, and a moose. One piece, a particularly tall edifice entitled Flying High in the Vineyard, features a tiny table with miniature wineglasses and a dainty loaf of French bread.

Standing in front of an array of these avian domiciles, the viewer understands the quandary of whether to hang the work up outside, for the birds to enjoy, or keep it inside, where human decor preferences prevail. One hopes that a happy compromise be established, and as it is recommended that the houses be brought in during the winter months, peace between species should prevail.

Flying high with wineglasses birdhouse by wenaha gallery artists papa jon's fly inns
Look on your left, and see if you can spot the wineglasses, the little bottle of wine, and that bird-sized loaf of bread. Flying High in the Vineyard by Papa Jon’s Fly Inns.

Started nine years ago as a means of supplementing their retirement, Jon and Marilu’s part-time project quickly grew into one that can take all the time they’re willing to give to it. Initially, they exhibited in art fairs and garden shows throughout the Northwest, but since moving to Dayton from Olympia five years ago, they have scaled back, and keep busy enough fulfilling orders from people who find Papa Jon’s Fly Inns at their Etsy shop, or who discover them at Wenaha Gallery in Dayton.

Over the years, Jon and Marilu’s’ birdhouse sculptures have won numerous awards, including Best of Show at Allied Arts Art in the Park in Richland and the Apple Blossom Festival in Wenatchee,  and Judge’s Choice at Issaqua Salmon Days and the Chelan Fine Arts Show.

Oddly, or maybe not, the couple does not keep their birdhouses on their own country property, adjoining the Touchet River a few miles out of  town.  One would think that the birds would be delighted with such a setting. Jon agrees, but explains, “I’ve kept a few birdhouses up at our place in the past, but I don’t tend to do that now because I end up selling them.”

So birds at his place, unfortunately, must scrabble together a home on their own, without a table, wineglasses, and a loaf of bread.

“Our art is created with a sense of humor and light heartedness,” Marilu says. “There’s a sense of adventure: life and art should be fun and colorful.”

Gallery artists at Wenaha Gallery in Dayton, Jon and Marilu Bryan of Papa Jon’s Fly Inns are the featured Pacific Northwest artists for Art Event, a three-week showcasing of their works, beginning Monday, March 31, at the gallery. Bryans’ Art Event runs through Monday, April 21, 2014.

Wenaha Gallery,  located in historic downtown Dayton, Washington,  is your destination location for Greenwich Workshop Fine Art Prints, original fine art paintings and sculpture by notable Pacific Northwest artists.   Books, gifts, note cards, jigsaw puzzles, and more are also available. Visit at 219 East Main, Dayton; phone 509.382.2124; e-mail