Life on the Farm with a Paintbrush — The Watercolor Art of Jill Ingram

Gossamer Meadow, original watercolor by Wenaha Gallery guest artist Jill Ingram
Gossamer Meadow, original watercolor by Wenaha Gallery guest artist Jill Ingram

She is an artist, living on a farm.

“Farm” brings to mind livestock and machinery, hard work, early mornings, and late nights.

“Artist” describes the person who sees beauty and interprets it onto canvas or paper, one who walks around a clump of flowers growing on the path and returns later in the day, when the chores are done, to capture that fragile innocence.

Fluffed and Ruffled, original watercolor painting by Jill Ingram
Fluffed and Ruffled, original watercolor painting by Jill Ingram

For watercolorist Jill Ingram, who grew up on a farm and married a farmer, art is as much of her life as wheat and pigs, and she first recognized that she had a creative gift in third grade, when she was part of a team of three assigned to create a bulletin board scene depicting the change of seasons.

“There was a feeling of apprehension facing that huge white blank wall,” Ingram remembers.

“I have no memory of what we did, but the reaction of my fellow students gave me such joy, as they looked into a crystal ball and said, ‘You are an artist!’

“And they spoke a new faith into my heart.”

The daughter of Dayton artist Iola Bramhall, Ingram dabbled with painting and drawing throughout her childhood, but things became more serious — both life and art — following a horse accident, when Ingram turned to art as part of the healing process.

SLO-MO, original watercolor painting by Jill Ingram
SLO-MO, original watercolor painting by Jill Ingram

“My belief in a loving God gave me the faith that this event would bring good into my life,” Ingram says. “He said art would be a catharsis for me.”

It was, guiding her into a world of color, hue, light, form, and movement, resulting in works that are resplendent in emotion, many zeroing in on the petal of a flower or an insulated growth of trees, rich with a hidden light.

“I believe in a personal God who created me to see beauty in the commonplace,” Ingram says.

“His hand is on my life, and He takes the hardest things, transforming the experience into some kind of beauty. He made me in His image, and so I think my creative imagination is an expression of Him, however blurry I may see and understand.”

Golden Thicket, original watercolor painting by Jill Ingram
Golden Thicket, original watercolor painting by Jill Ingram

Ingram landed on her medium of choice, watercolor, for a prosaic reason: because it isn’t as messy as oil or pastel, but just because it’s easier to clean up doesn’t mean that it’s easier to do. Working through paper choices and pigment temperaments, Ingram addressed subject matter ranging from botanical to figurative, building a portfolio of work with a fluid, open style that, she says, matches her personality.

Along the way, she studied under renowned artists like Del Gish, Arne Westerman, and Nita Engle, and soon found her own name becoming known: she has won first place at the Colorado Watercolor Society (for her painting, “Jewel”) as well as at the Northwest Watercolor Society’s Juried Exhibition in Seattle, in which “Ruby Slippers” took the prize. For several years, Ingram operated a gallery in downtown Dayton, Jill Ingram Watercolors, and sold her work, nationally and internationally, through galleries in Seattle and Spokane as well.

For all that, she remains, at heart, an artist who lives on a farm, and the day’s painting schedule revolves around a household of people who all depend upon one another to get the many things that need to be done, done:

“Painting in my home means that I am more available to my family,” Ingram says.

“Some days might start with painting, then shift into helping the farm boys move combines, and end with Mom planning meals . . .  unless I’m on a roll, and I paint all day long until they yell at me to come and eat!”

And even then, she may stay in the studio, grabbing a few precious minutes for a well-placed brushstroke here, a subtle drizzle of color there. Art speaks — to her, and through her. Or, as Ingram likes to say,

“English is my second language.”

Wenaha GalleryJill Ingram is the featured Pacific Northwest Art Event artist from Monday, March 14 through Saturday, April 9. There will be an artist’s reception Saturday, March 19, from 1-4 p.m. at the gallery, during which time we invite you to meet and greet the artist, as well as enjoy free refreshments.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

Wenaha Gallery is your destination location for Greenwich Workshop Fine Art Prints, professional customized framing, and original fine art paintings and sculpture by notable Pacific Northwest artists.   Books, gifts, note cards, jigsaw puzzles, and more are also available. Visit at 219 East Main, Dayton, WA.

This article was written by Carolyn Henderson.

Advertisements

Creating Art Is Such a Joy — The Watercolor Art of Meredith Dedman

Dancing Coneflowers, original watercolor by Wenaha Gallery guest artist, Meredith Dedman
Dancing Coneflowers, original watercolor by Wenaha Gallery guest artist, Meredith Dedman

So often, it is the small, inconsequential things that make lasting effects on our lives. For watercolor painter Meredith Dedman, her feet were instrumental in choosing the medium of her art.

Hibiscus Blossom, original watercolor painting by Wenaha Gallery guest artist, Meredith Dedman
Hibiscus Blossom, original watercolor painting by Wenaha Gallery guest artist, Meredith Dedman

“About 15 years ago, I decided to learn more about art and began taking regular classes,” the Dayton painter remembers. “These classes happened in the evening, after work, and rather than painting with the oils that I had dabbled with a few years back, I chose watercolor.

“Watercolorists sat down to paint, and I was too tired from working all day to think about standing for two hours at an easel.

“Turned out to be a good decision regardless of how silly the reasons were.”

In pursuit of mastery, Dedman took one to two evening classes in the Florida area for 10 years, haunted the local watercolor society, built up a library of how-to and fine art books, and attended workshops by nationally acclaimed artists like Sue Archer, Ann Pember, Tom Jones, Pat Weaver, Diane Maxey, and Karlyn Holman. By the time she moved to the Pacific Northwest 10 years ago, she was confident enough to instruct others, and takes in local students at her studio, a “happy space” with triple French doors, east facing windows, and a generous amount of cupboards to store supplies.

Tangles, by Meredith Dedman
Tangles, by Meredith Dedman

Dedman is generous about passing on what she has learned and is still learning, and one of her major messages is that of encouragement.

“Since I have been using watercolor almost exclusively for the past few years I can tell you that watercolor is not as unforgiving as most people think,” Dedman says. For little “mistakes,” gently scrubbing with a damp dry brush often does the trick, but some techniques are more forceful:

“I have seen people take a garden hose and wash most of the paint off the paper.” Not inside the studio, by the way.

Peacock, mixed media original painting by Wenaha Gallery guest artist Meredith Dedman
Peacock, mixed media original painting by Wenaha Gallery guest artist Meredith Dedman

While watercolor is and remains a true love, Dedman is continually exploring, and the last few years has forayed into acrylic, colored pencil, and pastel, in this latter endeavor seeking out the expertise of former Walla Walla artist, Bonnie Griffith. When it comes to subject matter, Dedman embraces it all, as enthusiastic about still life as she is landscapes, ready to tackle animals immediately after focusing on houses, or florals, or collage.

“Creating art is such a joy,” she says. “To have an idea, devise a plan, attack a piece of paper or canvas with brush and paint — then you watch magic happen as the paint colors mingle and begin to tell the story you imagined.”

Ideas for the next painting join a mental queue while she is working on the current one, and as the co-founder, with Vivian McCauley, of the area’s Blue Mountain Artists’ Guild, Dedman produces a work each month in line with the group’s theme — a color (red, say, for Valentine’s Day), concept (patriotism, for July 4), or material object (vintage cars, celebrated during Dayton’s All Wheels Weekend). Lately, influenced by workshops given by Karlyn Holman, an internationally recognized artist, instructor, and author, Dedman has been incorporating textured papers, pencil, and crayon into multi-media creations.

Heart of the Woods, original watercolor by Meredith Dedman
Heart of the Woods, original watercolor by Meredith Dedman

“When I first began painting, I felt I had to stick to one medium in order to be successful,” Dedman reflects.

“As a result, I was very rigid in my ideas about art and good painting. But fortunately, I was shown that art can and should be fun, as long as a person doesn’t take themselves too seriously.”

One is serious, yet not too serious: the idea is to pursue excellence, yet cut oneself some slack when things don’t happen the way expected or envisioned, which describes a lot of life, actually.

“The process can be as simple as making marks on paper that are pleasing to a viewer,” Dedman says.

“I simply try to capture the beauty and color in the world around me and capture a moment in time with the filters of my eyes, rather than the lens of a camera.”

Wenaha GalleryMeredith Dedman is the featured Pacific Northwest Art Event artist from Monday, February 8 through Saturday, March 12. There will be an artist’s reception Saturday, February 20, from 1-4 p.m. at the gallery, during which time we invite you to meet and greet the artist, as well as enjoy free refreshments.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

Wenaha Gallery is your destination location for Greenwich Workshop Fine Art Prints, professional customized framing, and original fine art paintings and sculpture by notable Pacific Northwest artists.   Books, gifts, note cards, jigsaw puzzles, and more are also available. Visit at 219 East Main, Dayton, WA.

This article was written by Carolyn Henderson.

Sharing the Studio with Dogs — The Watercolor Art of Jan Taylor

The Wiener Dogs of Lascaux by Jan Taylor, guest watercolor artist at the Wenaha Gallery
The Wiener Dogs of Lascaux by Jan Taylor, guest watercolor artist at the Wenaha Gallery

While initially, it may seem that there is little in common between four Dachshunds, the canals of Venice, and the Paleolithic cave paintings of Lascaux, it all makes sense to watercolor artist Jan Taylor.

White Lily by Jan Taylor, Wenaha Gallery guest artist
White Lily by Jan Taylor, Wenaha Gallery guest artist

Taylor, who has traveled on every continent, paints what she sees, and while she is devoted to one artistic medium, she allows herself the freedom to paint any subject, from safari animals to florals, from antique still life to portraits of Dachshunds which Taylor, by close association, knows are rarely still — or quiet.

“We own three and a half Dachshunds,” Taylor says, her own voice expressing wonderment at the quantity. “One of them is a cross — he doesn’t care, and he thinks he’s quite superior to the girls.”

The “girls” are Lucy, Debbie, and Scarlotte; the mutt is Oliver Twist because he was a foundling, and all four have been featured in paintings by Taylor. Lucy was painted on a cloud with a glittering necklace adorning her neck (“Lucy in the Sky with Diamonds”); the entire menagerie found itself in “The Wiener Dogs of Lascaux,” a whimsical nod to primitive cave art that caught the eye of a collector in Coeur d’Alene.

Yellowstone Lord by Jan Taylor, guest watercolor artist at Wenaha Gallery
Yellowstone Lord by Jan Taylor, guest watercolor artist at Wenaha Gallery

Apparently, Taylor is not alone in her attraction to small, self-confident, yappy (her own observation) animals, as every painting she has created of Dachshunds has found a happy owner.

“I’ve never had more than one dog before,” Taylor muses. “It’s out of hand now. But my husband is a willing perpetrator of it because you couldn’t do it otherwise. Who else would put up with this?”

TePees Three by Jan Taylor, guest watercolor artist at Wenaha Gallery
TePees Three by Jan Taylor, guest watercolor artist at Wenaha Gallery

Acknowledging a love for whimsy, Taylor incorporates a sense of fun and quirkiness in many of her works, but true to her style of not limiting herself to a style, she explores worlds and vistas that reflect life around her, wherever she happens to be that day: her floral works are bold and audacious; her view of Venice channels the viewer between buildings converging into one’s space; three tepees in a meadow acknowledge the artist’s ability to create stories from their surroundings.

“I believe that artistic expression is the fun part of life,” Taylor says. “When I like a work I’ve created, it’s a joy to me, and I hope to others as well.”

Taylor comes to the art studio from what many would consider the completely opposite world of business and computers, having taught 30 years in community colleges primarily in Spokane. Upon retirement, she took up drawing and painting, just . . . because.

Vine Art by Jan Taylor, Wenaha Gallery guest artist
Vine Art by Jan Taylor, Wenaha Gallery guest artist

“I can’t talk about some interior drive where I had to express myself — I just started painting for fun.”

She educated herself through college classes and private workshops, benefiting from Spokane’s ability to attract top teachers.

“There are nationally known people who travel through, who have television shows and things like that. One of my favorite workshop teachers was Lian Zhen, an international watercolor artist from China.”

Since moving to Richland two years ago, Taylor has thrown herself into the local art scene, meeting regularly with fellow artists from the online cooperative, Cyber Art 509 (cyberart509.com) started by Tri-Cities artists Patrick and Patricia Fleming as a means of connecting creative people in the 509 area code region.

“I have a lot of fun with these people, and we get together a couple times each month. I get to see their work, and that’s inspiring.

“About 20 of us get together and paint and critique and have demos.”

With 30 years of teaching behind her, and extensive exposure to art classes and workshops, does she lead some of these demos?

“Oh no,” she demurs. “I do not feel that I have an art education.”

The niceties of distinctions aside. Taylor is a student who continuously teaches herself, and she treasures the hours she spends in her 500-square-foot home studio, replete with all the counters and storage an artist could want, as well as a grand, east-facing window which bathes the room with light.

Oh, and there are the doggie beds, because that is where Lucy, Debbie, Scarlotte, and Oliver love to be.

“If I’m in the studio, they’re in there too.”

Wenaha GalleryJan Taylor is the featured Pacific Northwest Art Event artist from Monday, January 11 through Saturday, February 6.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

Wenaha Gallery is your destination location for Greenwich Workshop Fine Art Prints, professional customized framing, and original fine art paintings and sculpture by notable Pacific Northwest artists.   Books, gifts, note cards, jigsaw puzzles, and more are also available. Visit at 219 East Main, Dayton, WA.

This article was written by Carolyn Henderson.

 

The Science of Art — Watercolor Paintings by Lisa Hill

Tangerine and Cream, original watercolor by Wenaha Gallery guest artist Lisa Hill.
Tangerine and Cream, original watercolor by Wenaha Gallery guest artist Lisa Hill.

When it comes to art, there is a tremendous amount of science involved.

For those who don’t believe, watercolorist Lisa Hill of Richland poses a question:

Colors of Autumn, original watercolor by Wenaha Gallery guest artist Lisa Hill.
Colors of Autumn, original watercolor by Wenaha Gallery guest artist Lisa Hill.

Why, when one mixes three primary colors in particular proportion — Phthalo Blue, Quinacridone Rose, and Hansa Yellow (even the names sound like something from a laboratory) —  is the resulting color black?

“This is a lesson on how pigments absorb or reflect certain color wavelengths of light,” Hill, who teaches watercolor as well as creates it, explains.

“Between the three paints, all the light is absorbed, almost none is reflected back to the eye, and we perceive it as black.”

And not only black can be actualized from these three colors, Hill adds, pointing out that thousands of hues result from two or three of these ideal primaries, which closely match the CMY (cyan, magenta, and yellow) of printing inks.

Hill herself creates boldly vivid, richly chromatic artwork with a limited palette of roughly five colors (none of which are white or black), but, not wanting to make things too challenging for her students, she allots them a magnanimous seven paints to manage and master.

Ripple Ellipse, original watercolor by Wenaha Gallery guest artist, Lisa Hill
Ripple Ellipse, original watercolor by Wenaha Gallery guest artist, Lisa Hill

“I teach my beginning students to make color mixing charts with these seven paints and show them how valuable the charts are as a planning tool for a painting. The color mixing possibilities are endless.”

If Hill sounds thoughtful, methodical, and organized (she adds the word, “meticulous” to the list), she comes to it from a background in dirt — planting soil, specifically — and her success in capturing flora and fauna two dimensionally is related to her first career in ornamental horticulture and landscape design.

Lost Edges, original watercolor by Wenaha Gallery guest artist, Lisa Hill
Lost Edges, original watercolor by Wenaha Gallery guest artist, Lisa Hill

After moving to the Tri-Cities from Spokane, Hill was ready for a change of pace and occupation, a watercolor class with Kennewick artist Laura Gable sparking an interest that later turned into a vocation. With the same sense of inquiry that she used in horticulture, Hill focused on being a student of art, first; then an artist; and finally, a private teacher of art based out of her dream home studio, a 700-square foot apartment Hill and her husband teased out of a second floor bedroom, with an enviable view of the Yakima River.

Student, Artist, Teacher — Hill wears all three caps seamlessly, her fervor toward her chosen medium strongly evident in her research, experimentation, zeal, and knowledge.

“I’m going out on a limb here since I haven’t painted with oils or acrylics,” Hill muses, “but I think success with watercolor techniques requires a higher level of scientific knowledge of behavior of water and light, and the mechanics of vision, specifically color and value perception.”

Blue Skies, original watercolor by Wenaha Gallery guest artist, Lisa Hill
Blue Skies, original watercolor by Wenaha Gallery guest artist, Lisa Hill

What causes the “transparency” of watercolor?

Is it possible to layer a lighter color successfully over a darker one?

How does one keep the “wet” look once a painting dries?

“Understanding how water behaves puts the artist in charge (mostly) of what happens to the paint on the paper,” Hill says. “The answers are almost always related to the water — how much is on the brush, the paper, and in the puddle of paint.”

Quiet and soft spoken, Hill nonetheless speaks with confidence, and one person who noticed was Robin Berry, a nationally known author and porcelain and watercolor artist who put Hill in touch with Quarto Publishing of London. The happy result included a series of published step-by-step demos of Hill’s work, as well as images of her paintings, in three Quarto art books.

Cereus, original watercolor by Wenaha Gallery guest artist Lisa Hill
Cereus, original watercolor by Wenaha Gallery guest artist Lisa Hill

Hill, who regularly participates in Richland’s Allied Arts’ “Art in the Park” and the Custer Arts and Crafts Shows in Pasco, Spokane, and Wenatchee, garnered Director’s Choice at the 2014 Wallowa Valley Festival of the Arts in Joseph, OR, with the winning painting, Lost Edges, featured prominently in the event’s 2015 promotional materials. She sells her original work, as well as prints and note cards, to collectors throughout the Northwest.

An unapologetic proponent of representationalism, Hill admires the skill and knowledge necessary to create abstract or vaguely realistic art, but gravitates toward realism, an area she finds uniquely suited to capture the subject matter she finds most intriguing.

“I have a lot of plant knowledge and thoroughly enjoy gardening, so it is natural that the subjects I most  love to paint are flowers and foliage.

“I don’t think I am making a statement by painting these things — I just love them.

“Maybe that IS the statement.”

Wenaha GalleryLisa Hill is the featured Art Event artist at Wenaha Gallery, 219 East Main Street, Dayton, WA from Saturday, September 19 through Saturday, October 17. She will be in the gallery Saturday, October 3,  from 11 a.m. to 4 p.m., to give live watercolor demonstrations during Dayton’s Art Walk.

Contact the gallery by phone at 800.755.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

Wenaha Gallery is your destination location for Greenwich Workshop Fine Art Prints, professional customized framing, and original fine art paintings and sculpture by notable Pacific Northwest artists.   Books, gifts, note cards, jigsaw puzzles, and more are also available. Visit at 219 East Main, Dayton, WA.

This article was written by Carolyn Henderson.